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Business & Industry

Nexstar trims KTLA's Mark Kriski, citing surplus of sunny forecasts

Bob Clark Published Feb 27, 2026 01:30 am CT
A Nexstar Media Group agent inventories dry-erase markers from the KTLA weather center as part of the severance calculation for laid-off meteorologist Mark Kriski.
A Nexstar Media Group agent inventories dry-erase markers from the KTLA weather center as part of the severance calculation for laid-off meteorologist Mark Kriski.
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It begins, as most tales of corporate outlandish do, with a memo. Not a dramatic, tear-stained letter read aloud on a soundstage, but a sterile PDF attachment distributed via a server that has, by now, absorbed more human tragedy than a Victorian novel. The news from Nexstar Media Group was simple: positions were being eliminated. Costs were being cut. The great, lumbering beast of media consolidation had shifted its weight, and the tremors were felt in newsrooms from Los Angeles to Chicago. Among the casualties was Mark Kriski, a man who had, for over three decades, told Southern California whether to wear a sweater or board up the windows. His crime? Presumably, his salary. His punishment? A severance package so meticulously, horrifically literal that it could only be the product of a corporate committee armed with a mission statement and a complete detachment from reality.

Let's set the scene, because context is everything. The KTLA newsroom is not a place of quiet contemplation. It is a controlled chaos of teleprompters, coffee cups, and the low hum of existential dread that powers local news. And in the corner of the weather center, a trunk. Not a mystical chest from a fantasy epic, but a heavy, scuffed, institutional-gray prop trunk, its lid perpetually wedged open by a tangled mess of costumes from segments long past—a banana suit here, a rain slicker there. This trunk is the unspoken heart of the operation, a physical archive of the station's history. And on this particular Wednesday, it became the focal point of a new, devastatingly literal corporate policy.

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The directive from Nexstar's finance department, a document so dense with jargon it practically emitted a low-frequency hum, outlined a novel approach to calculating severance for on-air talent. It was decided that traditional metrics—years of service, audience loyalty, professional accolades like, say, eight local Emmy Awards—were insufficiently quantifiable. They were, in the words of an internal briefing memo leaked to this publication, 'emotionally volatile assets.' Instead, the accountants had identified a truly objective, physically verifiable measure of an employee's contribution: the consumable props used during their broadcasts.

For Mark Kriski, this meant one thing: the dry-erase markers used on the weather map.

So, as the layoff notices were delivered with the solemnity of a traffic ticket, a team from Nexstar's newly formed 'Tactical Asset Recovery Division' descended upon KTLA. Their mission: to empty the weather center's prop trunk and conduct a final inventory. The scene was less a dignified farewell and more an archaeological dig conducted by repo men. They weren't there to honor a career; they were there to appraise the artifacts.

Kriski, a man accustomed to forecasting atmospheric rivers, could only watch as they laid out his professional life on a folding table. Dozens upon dozens of spent dry-erase markers, each one representing a cold front illustrated, a high-pressure system demarcated, a sunny forecast scrawled with a flourish. There were the thick, chunky ones from the early '90s, when the maps were bigger and the hair was higher. The sleeker, low-odor models from the mid-2000s. The specific shade of blue he always used for Pacific Ocean temperatures. This was not just office supplies; this was the physical residue of 30 years of waking up Los Angeles.

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The bureaucratic horror of the calculation was a masterpiece of corporate literalism. An HR representative, clutching a tablet, explained the formula with the impassive tone of a flight attendant demonstrating oxygen masks. Each marker was assigned a depreciating value based on its length and estimated ink capacity. A brand-new marker was worth a fixed sum; a marker used for one broadcast was worth slightly less. A marker chewed nervously during a commercial break? A minor deduction for 'non-broadcast utilization.' The fact that these markers were the tools with which he communicated vital information during wildfires, earthquakes, and torrential rains was classified as 'incidental to the asset's core function.' The core function, apparently, was merely to exist as a depreciable good.

This is the literalism trap in its purest form. Nexstar, in its quest for a merger with Tegna, had to find savings. They looked at a veteran broadcaster and saw not a repository of institutional knowledge and community trust, but a cost center associated with a drawer full of markers. They reduced a career built on explaining the unpredictable chaos of nature to a simple equation involving plastic tubes and pigment. It's a level of disconnect that is almost admirable in its audacity. The irony is so thick you could use a leftover marker to circle it on a whiteboard.

And what of the payout? The final number, arrived at after hours of meticulous tallying, was reportedly less than the cost of a high-end espresso machine. The company's official position, delivered via a press release so bland it could cure insomnia, was that this method ensured 'equitable and transparent treatment for all impacted personnel.' They offered the laid-off staff an additional consolation: first right of refusal on purchasing their own accumulated props. Kriski could, if he wished, buy back his history, one dried-out marker at a time.

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SAG-AFTRA decried the cuts, as unions do, issuing statements about the devaluation of creative labor. But this was beyond devaluation; this was alchemy in reverse, turning gold into lead. Nexstar had managed to take the very tangible, emotional impact of a lost job and render it abstract through a spreadsheet, while simultaneously taking the abstract value of a career and reducing it to a pile of literal garbage. It's a neat trick if you can stomach it.

So Mark Kriski, a fixture in Los Angeles living rooms for a generation, leaves KTLA not with a gold watch, but with a check that wouldn't cover a month's rent and the option to reclaim the tools of his trade. The prop trunk sits a little emptier now. The merger will likely proceed, executives will congratulate themselves on their fiscal prudence, and the weather in Los Angeles will continue, unburdened by the knowledge of how its messengers are valued. The system, much like the climate, can be brutally indifferent. The real forecast for local news? Continued turbulence, with a high probability of farcical management.